Der nationale Sozialismus Wird Deutschlands Zukunft sein.Īppropriating working-class songs such as the Internationale for their own political ends had a direct effect on the streets, as the Nazi composer Hans Bajer noted when giving this account of a march by the SA into working-class district of north Berlin one Sunday afternoon in 1930: Schon jubeln Siegesignale, Schon bricht der Morgen hell herein. Auf rotem Grund im weiβen Felde, Weht unser schwarzes Hakenkreuz. Mit unserem Blut wollen wir das Banner weihen, Zum Zeichen einer neuen Zeit. By 1930, a Nazi version of this working-class standard was in circulation, entitled the Hitlernationale: Īuf, Hitlerleute, schließt die Reihen, Zum Rassenkampf sind wir bereit. The Nazis were not reticent in employing songs and melodies previously associated wholly with socialists and communists in their quest to broaden their appeal to the working class, and the Internationale was a prime target. The first recording of the song was published by the company Electrola around the early 1930s.Īuf, Hitlerleute, schließt die Reihen ( Hitlernationale) The author of the lyrics of Die Hitlerleute was Horst Wessel himself, and the song originated from his unit, the Sturm 67/5 (Sturm 67, Standarte 5) of the Berlin Sturmabteilung, also known as the Sturm "Horst Wessel", named in honor of Horst Wessel, also known by its old name before Horst Wessel's death, "The Hitlerleute". Kameraden Laßt Erschallen ("Comrades Let it Resound") was a Sturmabteilung arrangement of the Kaiserjägerlied written by Karl Mühlberger in 1924.
DEUTSCHE SOLDATENLIEDER HEINO FULL
During the Nazi era, the song was performed by Carl Woitschach's orchestra in its full version, incorporating both melodies, as Kampflied der Nationalsozialisten/Herbei zum Kampf.ĭie Hitlerleute ( Kameraden Laßt Erschallen) Das Berliner Jungarbeiterlied was set to the melody of the Air March (the official march of the Soviet Air Force), which was composed in 1921 by Yuliy Abramovich Khayt. Later on, the verses of Das Berliner Jungarbeiterlied (with the opening line Herbei zum Kampf, ihr Knechte der Maschinen) were added to the song. Its lyrics were written by Kleo Pleyer, while the melody was essentially based on that of the traditional German folk song Stimmt an mit hellem hohen klang, which was composed in 1811 by Albert Methfessel. Kampflied der Nationalsozialisten ("Battle Song of the National Socialists"), also known by its opening line Wir Sind Das Heer Vom Hakenkreuz ("We Are the Army of the Swastika"), was an early Nazi hymn.
Public performances of the song are currently forbidden in Germany ( StGB §86a) and Austria ( Verbotsgesetz 1947), a ban that includes both the lyrics and the melody, which are only permitted for educational purposes.
After his death, he was proclaimed a "martyr" by the NSDAP, and his song gained widespread popularity among Nazi Party followers. The song was written by Horst Wessel, a party activist and SA leader, who was killed by a member of the Communist Party of Germany. The Horst-Wessel-Lied ("Song of Horst Wessel"), also known as Die Fahne Hoch ("The Flag Raised"), was the official anthem of the NSDAP. An example of this is the fascist song Brüder in Zechen und Gruben ("Brothers in mines and pits"), which copied the melody of the communist Brüder, zur Sonne, zur Freiheit ("Brothers, to the sun, to freedom"), whose melody, in turn, belonged to the march Смело, товарищи, в ногу/ Smelo, tovarishchi, v nogu ("Comrades, let's bravely march"), which was written in 1895/6 by Leonid Radin in Moscow's Taganka Prison. Many pre-1933 SA songs were based on older German folk melodies, but there were also instances in which SA combat songs copied the melodies of rival Red Front Fighters songs, which were in turn based on Russian marches. It can be punished with up to three years of imprisonment. In modern Germany, the public singing or performing of songs identified exclusively with Nazi Germany is illegal. It became the national anthem of the Weimar Republic in 1922, but during the Nazi era, only the first stanza was used, followed by the SA song " Horst-Wessel-Lied". This observation applies above all to Das Lied der Deutschen ("The song of the Germans"), written in 1841. There is often confusion between songs written specifically for the Nazi Party, and much older German patriotic songs (from before World War I) that were used extensively by the Nazis and have become associated with them. In modern Germany, the public singing or performing of songs exclusively associated with the Nazi Party is now illegal. Nazi songs are songs and marches created by the Nazi Party. Not to be confused with Music in Nazi Germany.
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